Now I'm faced with the 39 panels, pretending to lie quietly, complacently. But I know that once I start painting, they will take on a life of their own and I will be but a servant, a slave to their whims, demanding that they will be what they want to be. And, as finished paintings, they will insist that I find the perfect mates for them--bits of photos, collaged paper, more paint, transferred images, plain and extraordinary papers(the list goes on and on)-- that will make them whole and complete. It's terrifying. The responsibility, the pressure--what have I done?
30+ years of paintings, talked about one painting at a time: what went into the paintings, what I was trying to say, what was happening at the time of my life that I made the paintings. The paintings themselves are narrative, and this adds a little more to the story that they tell.
Sunday, October 30, 2016
39 panels October 2016
Now I'm faced with the 39 panels, pretending to lie quietly, complacently. But I know that once I start painting, they will take on a life of their own and I will be but a servant, a slave to their whims, demanding that they will be what they want to be. And, as finished paintings, they will insist that I find the perfect mates for them--bits of photos, collaged paper, more paint, transferred images, plain and extraordinary papers(the list goes on and on)-- that will make them whole and complete. It's terrifying. The responsibility, the pressure--what have I done?
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