Thursday, February 14, 2019

Bob Dreaming 1984



In every successful artist's life there has to be someone that believes in that artist 150%, and for me, that person has always been my husband, Robert Wilson. Not only does he care deeply about what I do, but he has been my subject hundreds and hundreds of times.  The photographs I take of him are awkward and odd, and then I do even stranger things to the photos once I start incorporating paint.  What happens next, once I start painting, has always been a form of magic to me since I have no idea what will come of these images. Something takes over and it's much bigger and better than me. The results speak to me of another world, another reality that I was somehow able to step into for a brief period of time.  Sometimes the images referenced parts of Bob and his personality, as in After the Operation, an image about kindness and concern, taking care of those things smaller and weaker than ourselves, and other times they might reference his being part of a different reality as in Bob as BlackieIn Bob Dreaming, I caught that moment when we go from our sleeping selves to our dreaming selves, separating off into another dimension. Looking back over the years of having made these images, I'm amazed at what we both have managed to accomplish--me with my camera and brushes, Bob with his support, his unconditional love, and his connection to the other side.


2 comments:

  1. Sorry I'm so late to the commenting party. This image and the following, about the Wolf at the Door hit me in that deep spot I find so hard to articulate, or art-iculate. I do love these early images of yours with the paint over photos - I think they all have that dreamy quality. It is so interesting then to see where you went, into a sharpness that represents a different kind of clarity where your images are stark against their backgrounds.

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