Wilson’s work ranges from pure graphite to mixed media works on paper, with colorful embroidery tattoos laid over and into precise pencil drawings. The humans and creatures inhabiting her images are at once terminally awkward and effortlessly comfortable with one another (imagine your summer family reunion, equal parts kinship and forced politeness). In attendance are family dogs, half-remembered houses, and fixed smiles that seem to have been lifted directly from the family photo album. Altogether, Wilson’s exhibition is a fond remembrance of an auspicious occasion, when a year of the horse was born into a family of rabbits.
Teal Wilson, Horse Hat, 2011
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